tag:blogger.com,1999:blog-4219778748438027604.post8172127491422397488..comments2024-02-07T12:39:10.540+11:00Comments on wayne roberts F11: Equinoxwaynehttp://www.blogger.com/profile/03902338888627726872noreply@blogger.comBlogger6125tag:blogger.com,1999:blog-4219778748438027604.post-77854710973763041052011-05-18T12:26:27.754+10:002011-05-18T12:26:27.754+10:00How cool to see two of my favorite people in the s...How cool to see two of my favorite people in the same thread! Two guys way ahead of the curve. <br />Well, you've played an instrumental part in awakening in me an interest in science - cosmology, physics, biology. Unfortunately my mathematical prowess never made it past simple geometry, so the lectures I'm listening to on youtube by Larry Krauss, Weinberg, Coyne, and several others are Nickhttps://www.blogger.com/profile/07901533179774248604noreply@blogger.comtag:blogger.com,1999:blog-4219778748438027604.post-49516684042924052602011-04-10T22:56:49.627+10:002011-04-10T22:56:49.627+10:00Nick, .. you've brought to mind a certain sile...Nick, .. you've brought to mind a certain silent powerful 'posture of immortalized thought' rendered by one A Rodin.. All I can do is wait and wonder..for new angles, perspectives, insights..and for the fleshing out of thoughts whether in words, art, music.. ..Many thanks again Nick for sticking around and thinking on this one..<br /><br />Hi Bill, ..it's always an honor to waynehttps://www.blogger.com/profile/03902338888627726872noreply@blogger.comtag:blogger.com,1999:blog-4219778748438027604.post-57003631467667052002011-04-07T02:18:49.117+10:002011-04-07T02:18:49.117+10:00Hi Wayne - I approach this work as I would approac...Hi Wayne - I approach this work as I would approach Broadway Boogie Woogie. Let the eyes and mind to the work and bypass the analytical. However, I do enjoy your explanation of the work's construction and it is important of course otherwise there'd be no piece. That the visual undulates, breathes and fascinates is a testimony to the idea behind it. It's a groove to hang out with William K. Moorehttps://www.blogger.com/profile/09886162513117493657noreply@blogger.comtag:blogger.com,1999:blog-4219778748438027604.post-63389694582714364182011-04-06T22:44:08.287+10:002011-04-06T22:44:08.287+10:00I'm thinking....I'm thinking....Nickhttps://www.blogger.com/profile/07901533179774248604noreply@blogger.comtag:blogger.com,1999:blog-4219778748438027604.post-30377622480197706722011-04-06T18:31:54.915+10:002011-04-06T18:31:54.915+10:00Hi Nick, thanks for your time and for your kind an...Hi Nick, thanks for your time and for your kind and interesting insights and observations, and, for what is clearly (to anyone who knows you) an incredibly self-effacing comment, from you: a recognized master in both the visual arts and music, having won accolades in both these arenas! <br />Yes I've been out of web/blog circulation for quite a while).<br />Regarding the piece and your waynehttps://www.blogger.com/profile/03902338888627726872noreply@blogger.comtag:blogger.com,1999:blog-4219778748438027604.post-29350702038208157862011-03-28T14:36:18.728+11:002011-03-28T14:36:18.728+11:00A fascinating piece and most enlightening explanat...A fascinating piece and most enlightening explanation (I actually "get" it, at least to a point). I can imagine that if the whole thing were somehow hinged/adjustable, moving one of the nodes/intersections would create a new composition, though adhering to the same principles with the adjacent equal sides. I'm really taken with this piece, and wonder if the order and logic behind itNickhttps://www.blogger.com/profile/07901533179774248604noreply@blogger.com